By Matt Bartolo
10 Years have hit back strong with their 7th studio album “From Birth to Burial”. The last time they were here was for Soundwave in 2014, which was their first trip to our shores since the KoRn tour back in 2006. The boys from Tennessee have grown from strength to strength in that time (I remember being in the front row back in ’06 when they played in Sydney) and this the most complete album they have produced to date. Can’t wait to see what they have in store for us in October!
This album grabs you right from the opening title track, which lays a perfect platform for what is to come. It has just the right balance of Jesse Hasek’s haunting melodic vocals that blossom into a fusion of old school nu metal mixed with some awesome heavy rock riffs.
Brian Vodinh’s drumming on this opener is second to none. It is as tight & as sharp as it gets.
The first 3 tracks almost could be “as one” they blend in and flow together that well.
“Triggers & Tripwires”, the 4th track, is where the alt/nu metal sound 10 Years have perfected over the last decade makes its first real appearance and Jesse does not hold back ripping into the heaviest song on the album. Great placement for this track.
The comparisons to their upcoming tour headliners Dead Letter Circus will definitely be working overtime with quite a few tracks on this album. There is something almost “Hypnotic” in a lot of these songs & before you know it you find yourself at “Miscellanea”, the penultimate track & first single from “From Birth to Burial”. This song is a 9/10 every day of the week & arguably one of their best songs to date.
But wait, there is more.
The final song on this fantastic album, “Moisture Residue” is the crowning glory and just FLOWS with “Miscellanea”.
What a way to finish!
It is a very sombre close to a very “moody” album, but in my option, Jesse’s vocals on this track are his best hands down.
10 years will be a perfect fit with Dead Letter Circus next month when they arrive in Australia. Do not miss the chance to see these guys live.
Review by Helen Brown
After much anticipation and showing promise in their teaser tracks, Brisbane five piece Art Of Sleeping‘s Shake Shiver has arrived.
Frontman Caleb Hodge’s wistful harmonies have a touch of sadness and desperation, as he clings to a romantic love that is long extinct.
Review by Wezzy Crüze – www.wezzycruze.com
2015 is off to a raging start, as we see the release of The Pale Emperor, the latest LP from controversial media personality and shock rock pioneer, Marilyn Manson.
The album poses as a real return to form for Manson, the “Anti-Christ Superstar” going above and beyond previous efforts to deliver an album that fans familiar to his work will not only appreciate, but feel the energy and rawness that some felt has been missing for a lengthy period.
While The Pale Emperor see long time member and musical collaborator Twiggy Ramirez (Jeordie White) absent from the writing and recording procedure (for unknown reasons), we’re introduced to Tyler Bates as he is welcomed to the fold as Manson’s new creative partner.
Review by Ben Connolly
Within seconds of the first chords of AWOL, the lead track off Augie March’s return opus Havens Dumb, one thing is abundantly clear: just how large the Augie March-sized hole in the Australian musical landscape had become.
In just five short years, the band’s ‘hiatus’ had all but slipped into that permanent mode many seem to become; save for an ambling solo album from frontman Glenn Richards, a few non-descript side-projects from other band members and a couple of choice late-night Facebook rants, the band had seemed to slip by the wayside.
Reviewer: Wezzy Cruze
In the past decade, there’s been a dynamic shift in the way the music industry works. With more music based reality television shows taking the primetime slot, and contestants being handed record deals like they’re going out of fashion, we’ve seen the indie bands being placed on the back burner – some going bust, some barely hanging on. So one question remains: Whats the key to an indie band staying afloat in a world dominated by generic, autotuned, reality show produced popstars?
With a change in the line-up consisting of two new members joining the team and a brief stint with a side project called French Style Furs, Long Beach indie-soul rockers Cold War Kids return to the fold with their fifth album release, ‘Hold My Home’.
Reviewer: Wezzy Cruze
Folk rock, or folk music in general, has a lovely and delicate way of popping up every now and then, pushing aside the likes of Katy Perry, Macklemore or other popular mainstream artists and taking a place high on many music charts around the world. And there is no denying that when a folk song makes its way there, that people get on board with it. Case in point, ‘Little Lion Man’ by Mumford & Sons, ‘Skinny Love’ by Bon Iver, or ‘Ho Hey’ by The Lumineers etc. I’ve made my point…
Andrew Davie, Joey Haynes and Kevin Jones are three gentlemen who are likely to join the ranks of their folk music peers, as their band, Bear’s Den, release their debut album in October, ‘Islands’.
Review by Peter Coates
The second album from progressive rock “supergroup / side-project” Flying Colors is released in Australia on October 3rd 2014 and perpetuates the initial basis for the band, formed in 2012, of seeking to combine virtuoso progressive rock musicians with a melodic pop singer / songwriter, and see what happens.
The musicians are all enormously experienced and influential heavyweights from the modern and progressive rock world, featuring Steve Morse (Deep Purple / Kansas / Dixie Dregs) on guitars, Neal Morse (Spock’s Beard / Transatlantic) on keyboards, Mike Portnoy (Dream Theater / Transatlantic / Adrenaline Mob / Winery Dogs) on drums, and Dave LaRue (Dixie Dregs / Satriani / Vai) on bass – with Casey McPherson (Alpha Rev) providing the songwriting and vocals.
Review by Pete Coates
JOE BONAMASSA – Different Shades of Blue
Release Date – 12th Sept 2014
J & R Adventures Records
Joe Bonamassa has produced an extraordinary range of blues and rock music in his career – whether as a solo artist, or in the blues rock fusion work of Black Country Communion. The common threads of all his work lie in the distinctive voice, and the pure but often slightly scuzzy guitar riffs, with the clean solos reminiscent of Gary Moore and Carlos Santana.
Review by Wanda Hill
Sixty minutes of floating on beautiful melodies, intense emotion and powerful composition can be yours when you decide to listen to Distant Satellites – Anathema’s 10th studio album. This UK progressive rock band have carved their own unique blend of uplifting yet contemplative music that continues to inspire and attract new fans around the world. Their style has grown to embrace new influences while never really straying far from original inspirational sources such as Pink Floyd.
Distant Satellites features ten beautifully crafted songs that explore a range of states of being and experiences using sublime instrumentation, harmonies and vibrant vocals. The song’s transition well from one to another, providing continuity and an extremely pleasurable listening hour.
When The Jezabels’ released their debut LP Prisoner in 2011 it quickly received critical acclaim. The success of Prisoner elevated the band to new heights, and with that raised success came extensive touring – both nationally and internationally.
In January 2014, The Jezabels’ will release their new album The Brink, and a solid offering it is. Recorded in London and produced by Dan Grech-Marguerat (Moby, Scissors Sisters, Radiohead, Lana Del Rey, The Vaccines, The Kooks), the band have refined elements of their sound and strengthened the clarity, bringing a more natural live show feel to the album. Moving through soaring highs and delving brooding lows and back again, the album seems to reflect the bands inner space and mindset. Introspective, romantic, reflective.
Review by Natalie Salvo
It has been five years since Alex Lloyd released a solo album but in that time he had a break like John Lennon. He was busy caring for his brood of children (he now has four) and was busy writing music for other acts (like Passenger) plus producing and working on soundtracks (including collaborating with the Pigram Brothers for the Mad Bastards OST). This period – like much of his career – has been a rich and varied one and this is also the most striking element on his sixth studio record.
Urban Wilderness was written in a piecemeal fashion with one of the tracks dating back as far as 2008. It covers his time spent living abroad in Queens Park in the UK and his return home to the Central Coast in 2012. The title hints at being lost in a sea of uncertainty and this is reflective of Lloyd’s initial mindset with regards to returning to solo music. This changed though, when he shared his demos with artist and producer, Shane Nicholson (who is famous for his collaborations with his then-wife, Kasey Chambers). Nicholson pushed Lloyd and insisted that he had an album and the rest is all history.
Review by JOSE EDUARDO CRUZ
Melbourne has been responsible for constantly producing great bands over the years. Madre Monte upholds this responsibility alive and well with their latest EP Raza:Madre.
The influx of Colombian migrants into Australia over the last decade has seen an outpouring of cultural exchange, in particularly, musical exchange that it is beginning to fit seamlessly into the Australian musical landscape. Madre Monte formed in Melbourne, but their origins begin in Cali, Colombia, and it is from here that this beautiful music takes its cue. What makes this release so special is that Madre Monte mixes English and Spanish lyrics quite easily making their music very accessible to the wider Australian music audiences.
Review by JOSE EDUARDO CRUZ
Canberra based Latin ska/cumbia outfit, Los Chavos, deliver their first long play and follow on in the great tradition of Australian Latin bands like Watussi and San Lazaro. Whilst this release is completely in Spanish, don’t let that deter you from picking this outstanding Australian Latin release. Supermeng is a mature release that reflects the evolution of Los Chavos as an experienced outfit. There are slight influences from Manu Chau, Calle 13 and Juanes which will delight every Latin music lover in Australia. Supermeng starts with an upbeat “Carlos Calvo” and builds up hitting a crescendo with a good paced merengue “Como Puedo”. The closing track “Reina” is a soulful exploration of love which closes an excellent debut for Los Chavos.
Review: Billy Geary
When Sound Awake was released in 2009, Karnivool began to receive acclaim on an international scale, with the record’s more expansive sound resonating with fans of progressive music worldwide. It was a huge step forward for the band when compared to their debut, signalling their establishment as one of Australia’s most innovative bands. Appropriately titled, Asymmetry sees the band change tack again – moving towards a sound of dissonance and adventure, while still retaining the melody of their past releases.
Review by JOSE EDUARDO CRUZ
Debut albums are always difficult to execute for they lay out the musical platform for all aspiring bands and send out a clear statement of what the band is about. Whilst an average debut may not necessarily mean the end of a band, it can set their progress backwards. As a debut album Beautiful in Danger does not set Jericco back at all. In fact it does the complete opposite. Jericco fits quite nicely into the Australian progressive rock genre that has been pioneered by a handful of other bands. This debut cements their place amongst those bands and begins the slow process of becoming a top Australian band. The album sounds simple enough, but the devil is in the detail. Critical examination of every track reveals that simplicity is a difficult process to accomplish. Heavy drum sections coupled with bass lines that hook listeners achieve the desired outcome of getting everyone dancing.