Review by: Lauren Sherritt
Unidentified Flying Collection of Songs is the first album released by My Own Pet Radio, the name under which Brisbane artist Sam Cromack works solo. The bedroom recorded, experimental album is a solid example of decent, hard worked music created by a passionate and hard working musician.
Cromack, also known as the front man for indie rock/pop band Ball Park Music, really goes to town on the album cutting samples, employing effects and layering instruments, all played by himself, with intricate and distinct lyrics. The songs collectively move through various styles, bluesy influences sitting alongside poppy rock and folksy, lilting acoustic pieces. Carefully crafted to fit together as a whole album, the spectrum of styles in the songs speaks of the years of work gone into developing Cromack’s skill, and the album transcends the hyped world of sale figures and radio play stats to sit as a thought provoking piece of artwork.
Continue reading My Own Pet Radio – Unidentified Flying Collection of Songs [Album Review]
Review: Kenada Quinlan
– Interpol – Interpol
||Established in 1997 and with only 4 albums under their belt to date, Interpol have decided to go it alone for the self-released and self-titled 2010 offering. Kick starting with ‘Success’, the New York based quartet delightfully introduce their brand of Indie that over the years has refused to shift in any fashionable sense.
The next step of ‘Memory Serves’ is an atmospheric, thumping masterpiece that captures loneliness and loss with beauty and an infectious groove. The vocal line “You don’t have say that you’d love to – but baby please that you want to – some day…” resonating far passed the song’s inception.
The off-kilter latter beats of this composition making way for ‘Summer Well’ – a more spritely drum and piano medley. Breaking into an uplifting yet damning verse of harmonies, vocalist Paul Banks inviting drones raise precisely on time for a hop, skip and jump to graceful emotional ruin.
Continue reading Interpol “Interpol” – Album Review
Review: Ben Hosking
Listening to UK band Anathema these days, it’s hard to believe that they once toured alongside groups such as Paradise Lost, Cathedral and Cannibal Corpse. Formed in 1990 under the moniker of Pagan Angel, the group signed to Peaceville Records – the same group that was home to other legendary doom metal bands of the time.
Continue reading Album Review : Anathema – “We’re Here Because We’re Here”
Review: Natalie Salvo
This is a record review about The Black Keys. But you already knew that didn’t you? So while we’re giving you ‘helpful’ but unnecessary statements, “Brothers” is the sixth studio album from the Ohio-based blues-rock duo.
The pair has been rather busy as of late with guitarist, Dan Auerbach dropping a solo album while Patrick Carney produced the aptly titled side project, Drummer. The boys then collaborated with a bunch of rappers for the hip-hop record, Blakroc.
Continue reading The Black Keys – “Brothers” [CD Review]
Review: Lauren Sherritt
Rearrange Beds recalls in lurid, dreamlike detail memories of adolescent youth; of mistimed love, desperation and a need for just a little bit of control, and as the debut album for Australian two piece An Horse it acts as a solid showcase of the band’s notable talents. It’s honest, edgy and just a little bit off centre and will speak to anybody who remembers that baffling and awkward experience that is emerging into adulthood.
Continue reading CD Review: An Horse – Rearrange Beds