Summer has begun, the New Year is just around the corner, and so is the BIG DAY OUT! We’re thrilled to let you in on the final artists who will be touring with the BIG DAY OUT in 2010 plus the local acts taking to the stage in each city.
Norway’s Datarock have returned with the follow up to the geek-chic party album of 2005, Datarock Datarock and will be heading down under to serve it up live to Australian audiences.
Their debut mixed Happy Mondays punk-funk with warped Devo humour, and was well received locally with ‘Computer Camp Love’ landing #12 on Triple J’s Hottest 100. The new album, Red, has lost none of the duo’s aptitude for so-classic-you-must-haveheard-it-before hooks, but this follow-up is an altogether more concept-driven beast.
The second major round of artists to perform at the 21st Anniversary Bluesfest has been announced! Australia’s most awarded and internationally renowned festival officially will be held at its permanent new home – at the Tyagarah Tea Tree farm just off the Pacific Highway, 12 minutes north of Byron Bay. The Easter weekend dates for your diary are Thursday April 1 through to Monday April 5, 2010!
Festival goers should also note that the new and updated playing schedule is now online, and one day tickets are now also on sale – just visit www.bluesfest.com.au to see it all. This announcement marks the first time so many artists (over 50) have been unveiled this early, along with the playing schedule – giving fans more time than ever to plan their Easter holidays. Continue reading
|International comedy phenomenon Russell Peters has just announced his eagerly-awaited return to Australia and New Zealand. Peters is set to perform a cross country, 5 city tour, performing in Perth, Brisbane, Melbourne, Sydney and Auckland, New Zealand in March 2010. He returns after two years by popular demand, tickets for the tour will go on sale Tuesday, December 1st, 2009.|
The infamous Patrick Wolf returns to our shores, to celebrate the release of his latest album, The Bachelor.
Visceral, Impulsive, Antagonistic and Unique; the list of superlatives and adjectives for this young man and his music go on ad infinitum. Never one to conform to artistic nor industry status quo, young Master Wolf could rightly claim pole position at the vanguard of avant-garde pop. His wonderfully wilful compositions and forays into the glamorous aesthetic of leather, chains, glitter and feathers only exalt the kind of compelling self- awareness we find so irresistible.
|Ten studio albums, five live albums, six live DVDs, 1000’s of insane, unbelievable live shows and a rabid fan base worldwide – Dream Theater continue to be at the top of their game.
After waiting for more than 20 years for them to tour, Australian Dream Theater fans were treated to their first live shows in January 2008, with their intense live performances proving beyond question that they were definitely worth the wait.
Now the metal masters return to Australia for a national tour this December.
Tim Minchin is a comedian, actor, composer, songwriter, pianist, musical director and a self confessed Rock n Roll Nerd. He has sold out gigs at the Sydney Opera House, won awards at every major comedy festival including the Melbourne International Comedy Festival, Just for Laughs Festival- Montreal and the Edinburgh Fringe Festival where he won the Perrier Award for Best Newcomer in 2005.
I was fortunate to meet him in Melbourne in 2007 when we performed at the Late Night Cabaret. Tim says we have a history, am not sure what that means, but am happy to interview him for his new Brisbane Comedy Festival show.- Lisa Lamb
When did you stop wearing shoes on stage?
Well I wore bare feet to uni because I was a bit of a hippie, then started doing comedy gigs at The Butterfly Club in Melbourne. I’d have a list of songs and things to talk about taped to my piano, have three glasses of wine, then take my shoes off to relax. So now I’m in the habit of not wearing them. When I do corperate gigs and wear shoes, it becomes a completely different show, much less relaxed. So much of comedy is about status, the piano is high status and wearing no shoes offsets that, making it low status. Which is good for comedy.